08 December 2008
Alan Woodhouse
There are no translations available.
The Belle And Sebastian we know now – the group that does proper
interviews, plays mainstream festivals and sells out the Hollywood Bowl
– is a far different proposition to the one on this collection. These
sessions are taken from 1996-2001, stretching from the release of their
classic debut ‘Tigermilk’ through to the band’s departure from the
Jeepster label as well as the exit of Isobel Campbell. The latter
events helped signal the end of the group’s awkward insularity.
During this period, any glimpse into the inner workings of the
seemingly mysterious Scots collective was pounced on by their
extraordinarily devoted fans. To them, these sessions were their Holy
Grail – and it’s not difficult to surmise why. The simple fact is that
this incarnation of B&S was as good as ‘traditional’ indie gets.
Loads of classics are here – a near-perfect take on the vaguely funky
‘Slow Graffiti’, a joyous, stridently uplifting ‘Judy And The Dream Of
Horses’ and, best of all, an embryonic run-through of what would become
1997 single ‘Lazy Line Painter Jane’. But there is also a raft of
sturdy unreleased tracks (including the reassuringly fey ‘Shoot The
Sexual Athlete’), which only serve to reinforce what a creative roll
Stuart Murdoch and co were on at the time.
There’s still a lot to love about B&S, but there was something
magical, otherworldly even, about them during this period that this
compilation captures perfectly.
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